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It was once placed on a cherry table beneath a Bonnard still life, where it held its own. Everyone who has purchased a house or who has wanted to sell a house must be familiar with some of the tricks used to convince a buyer that the house is quite special: a fire in the fireplace in early evening; jonquils in a pitcher on the kitchen counter, where no one ordinarily has space to put flowers; perhaps the slight aroma of spring, made by a single drop of scent vaporizing from a lamp bulb. The wonderful thing about the bowl, Andrea thought, wasthat it was both subtle and noticeable - a paradox of a bowl. Its glaze was the color of cream and seemed to glow no matter what light it was placed in. There were a few bits of color in it - tiny geometric flashes - and some of these were tinged with flecksofsilver. They were as mysterious 596 ANN BEATTIE as cells seen under a microscope; it was difficult not to study them, because they shimmered, flashing for a split second, and then resumed their shape. Something about the colors and their random placement suggested motion. People who liked country furniture always commented on the bowl , but then it turned out that people who felt comfortable with Biedermeier loved it just as much. But the bowl was not at all ostentatious, or even so noticeable that anyone would suspect that it had been put in place deliberately. They might notice the height of the ceiling on first entering a room, and only when their eye moved down from that, or awayfrom the refraction of sunlight on a pale wall,would they see the bowl. Then they would go immediately to it and comment. Yet they always faltered when they tried to saysomething. Once, Andrea got a call from a woman who had not put in an offer on a house she had shown her. Listedeki giriş veriler 1 Mayıs 2022 tarihine ait resmi rakamlara dayanmaktadır.